Pre-show/During-show/Overall Bowling Notes: I made it out on a Tuesday, even though I was quite spent from the work day, I went to see Bowlive IV with Booker T. and special unannounced guest David Hildago.
Since I was spent, I decided to get a cup of coffee from the restaurant. I saw a bunch of friends I knew including Eric Kalb (drummer, Deep Banana Blackout/Sharon Jones & The Dap Kings), and he called me a music addict. “This girl sees a lot, I mean a lot of music.” I laughed and acknowledged my addiction… and gave him props for the sick, sick DBB set last weekend at The Capitol Theatre.
We bowled, and I threw a horrendous score of 43. Don’t judge. I am a better Wii bowler than a real bowler. Yes, I know, the amount of time I am at The Bowl does not equal my bowling score. I go to dance and hear music, not bowl. I am glad all eyes were on the stage, some of my throws down the bowling alley caught air. Whoops.
So, with the bowling, and the very mellow mood I was in, I relaxed on the couch and listened sidebar…till the end of the show.
Opener: Have to say, it was a pretty incredible set from Cochemea “Cheme” Gastelum (Dap Kings) with about 1,000,000,000 players on the stage (ok, it was 9 players on the stage, but still pretty incredible.) There was Cheme alternating with a sax and flute and his band playing The Electric Sound of Johnny Arrow, which sounded amazing to my ears. It was a mix of jazz/world beat music and it was such a great large sound to my ears. The world beat brought in a new element from the inundation of funk/jazz we’ve been treated to. Take my word, if you like horns and you like great percussion (2 percussionists and a drummer) and you like a mix of jazz/reggae/afrobeats, you’d love Cheme’s band.
photo by: Allison Murphy
Set 1 (and only 1, for a full 2+ hours)I had seen a set list from the Beacon Allman shows, and Hildago was supposed to be there, but instead he showed up at The Brooklyn Bowl. Lucky for us! Continue reading →
I covered Bowlive IV, night 3 for TheRoyal Family Records. My recap was on Brooklyn Bowl’s site and The Royal Family’s site, so that was cool. Here’s the words below. -M
Bowlive IV #3 Recap w/ Nigel Hall, James Casey, Igmar Thomas, and More : Tuesday’s 3/12 show w/ Booker T Jones & More
Bowlive alum Alecia Chakour Band opened the evening on this Bowlive Night 3. Chakour had her own special guests, the stage was filled with musicians including Cochemea “Cheme” Gastelum (sax, Sharon Jones & The Dap Kings) and Igmar Thomas (trumpet.) Chakour’s vocals got the crowd ready for what was about to happen this evening.
By the time Soulive took the stage, it was a little after 10pm, the sold out crowd loosened up with a funky, ten minute “Steppin.” Kraz starts to soulfully play The Beatles’ “Eleanor Rigby,” before the stage erupts from Neal Evans’ keyboards. During Kraz’s shredding solo, the audience were singing “All the lonely people” to the band. What a moment!
Special guests James Casey (sax, Lettuce/Trey Anastasio Band), and Igmar Thomas, (trumpet) both from Bowlive’s past, joined the stage for “Lenny” and “Vapor”, where on Thomas was literally smoking his trumpet. No Joke.
DJ Logic then joined the stage and spinned with Soulive on “Tuesday.” Nigel Hall then came out to end the set, and played keys with Neal. It was more like a Nigel/Neal keyboard showdown. At first there were three hands on the keys, and that went into a dance, where Nigel and Neal switch sides with each other at the keyboard. I thought I saw Nikki Glaspie (drums, Dumpstaphunk) peeking behind James Casey and Igmar Thomas with a tambourine in her hand. The whole band was smiling, the crowd was smiling, it felt like family. Someone told me it felt like home. It was certainly beginning to feel that way.
Just when you thought it was setbreak, Alecia Chakour comes back on the stage to sing duet with Nigel. If you haven’t seen them before, Alecia can sing exactly, on Nigel’s level with her heavy duty pipes and her vixen voice. At one point, Nigel gets on his knees and sings to Alecia, like he’s begging, the crowd goes nuts, the moment had finally arrived at the Bowl. This was the quintessential Royal Family Records/Bowlive magic that has become commonplace here in Brooklyn in March. Continue reading →
So, we’re back – the 3rd annual Bowlive held in Brooklyn’s own Brooklyn Bowl. This is the favorite time of year to be eating lots of fried chicken, hearing bowling pins crash while listening to some of today’s finest musicians in a room where only 600 can comfortably stand, or dance. The first night went off without a hitch. Here’s my recount – it gets increasingly harder to understand my notes as the night goes on….
Pre-show:
No real preshow for me. I got to the Bowl at around 8:15pm, the show didn’t start until 9pm. I dropped my coat and bag off, said some hellos, hit the ladies room, got a drink and settled in for the evening. Chatted with my friend and looked to the right of me, there was John Scofield talking with some people, no less than 4 feet from me. I noted it but couldn’t bring myself to gawk at him. He’s one of my guitar heroes-being so close to greatness made me nervous.
photo by: RuthRocks
First Set:
Soulive alone. The trio (Eric Krasno and brothers Neal and Alan Evans) just came off their three night Snowlive weekend in Boulder Colorado, and they sounded tight. Soulive usually sounds tight but tonight they sounded like they had tightened a few notches up. They played alone, and for the first few songs I was so enthralled I had forgotten guitarist John Scofield was going to join the stage.
The trio just nailed the first set of the Bowlive 3 run, my friend turned to me and said, “first set, eh?”. I laughed and shook my head. It had already gotten heavy with funk and bass… We were only a hour in.
Set break:
Bathroom Run. Smoke Break. Hit the bar. Get back near stage left.
photo by: RuthRocks
Set 2:
Alan introduces John Scofield onto the stage and off we go.
Nigel Hall joined Neal Evans on the keyboard before he grabbed the mic to sing a slow bluesy serenade.
Here are my notes on that: Nigel slow serenade soulful sexy and raw. 10pm. Organ keys reverb right through The Brooklyn Bowl
Nigel wails. Scofield wails. Organ wails and a hot beat by Alan. Damn. Night 1 w the posse surrounding me, all goo love in the air.
First set. Jesus. It just started and it’s crazy funky souled up in here.
Scofield gives props to Soulive and particularly Nigel. Sweet. They go into Boozin’. Scofield is in love with Nigel. You can see it by his face.
Next, a crazy banter w Scofield and Neal. This rage officially melts the Bowl at 1022 pm.
Set Break: I’m kinda floating at this point. With permagrin wide I made it outside, chatted with friends, and realized I was starving. Good thing the Bowl has some good food.
I dropped my coat and winter crap back near my spot next to the stage and went for food. Apparently I wasn’t the only one who had such an idea. So I hit the ladies room instead.
photo by: RuthRocks
Set 3:
Soulive comes on the stage, alone once again. I find a dark corner close my eyes and groove hard in anonymous land. I went there. But I was in dire need of food. So, off to the restaurant!
Food choice? The Beach french bread pizza. Oh my. Lord. Yum. Not for vegetarians but for a pork filled meat lovers delight? I highly recommend. Soulive plays while I wait for my pizza. Food!! Come quickly. They’re raging!
This weekend is the Royal Family Ball starring Soulive and Lettuce, with special guests. Last year, John Scofield showed up, with special surprise guest, Warren Haynes. Wonder who this year’s Ball will bring out of the woodwork?
Last year, I covered the show for View Skewed, and, well, it blew my musical head apart. Here’s the coverage of last year’s Ball: http://wp.me/ppvLC-D0Hopefully, people will dress like it’s a ball this year! :) And I hope to see you there.
[Ed note: I have been lax in my habit of coming home and writing about every show I see. Very lax. That seemed to happen for only a few months in the beginning of this journey, but now it seems to be harder to do every show I see, (yes, I know - crybaby cry...) I will try to sum up what's been going on in NYC on these dreary wintery nights, where the snow piled high on cement streets, freezing cold winds slapping in my face.... Oh, whilst in the depths of winter, music will warm my bones...]
Bernie Worell, The Bitter End
That Bernie Worrell show with his whacked out jacket, jammin hard with a stage full’a fellas, Will Bernard, 2 saxs, great drummer, trumpet player from PFunk, in the tiny Bitter End club.
Umphree's McGee, Brooklyn Bowl
Umphree’s McGee and all their lightshow bonanza at the Brooklyn Bowl, phewwweee! That was great fun, and their lights made the Brooklyn Bowl sparkle, there was a haze on the mirrored dance ball over the dance floor. It was wild, they sounded great, the crowd was psyched and ready to roll with UMG’s surprise Monday night show.
Funky Meters, Brooklyn Bowl
Nigel Hall‘s, vocals/piano, Residency last Wednesday at the Rockwood with all the Royal Family members in the house and then to Brooklyn Bowl to see the funky Meters play with Brian Stoltz, Art Neville, Russell Batiste and George Porter, Jr., the late night at Bembe with some tasty DJ licks by Nutritious, where the night came full circle when Nigel Hall comes to bang on some congas and dance the night away. Did I say this was a Wednesday…
The insane late night rage at the Blue Note with Sam Kininger, Sax that I wrote about here.
Dr. John, Maceo Parker, Eric Krazno, Photo by Allison Murphy
The killer Soul II Soul Benefit at Brooklyn Bowl with Nigel Hall and the Royal Family folks with Maceo Parker and Fred Wesley. Horns in the HOUSE. Dr. John on keys. Good lord. Insanity. Listen here at Archive:
Photo by Robyn Gould
The night at The Beacon Theater with the gorgeous Dickinson Brothers, Cody (drums), and Luther (guitar) opening for Robert Plant’s Band of Joy. WOW. First off, the Dickinson Brothers (North Mississippi Allstars), wailed incredibly tight jams my ears couldn’t believe at times that there was only two instruments on the stage. Then Robert Plant and the Band of Joy, his new band. Really great to see Robert in the flesh, dancing and singing perfectly. Voice sounds great, the band is filled with string instruments and great singers. Sweetness.
Le Poisson Rouge:Eric Krasno & Chapter 2 w/ special guests James Hurt, Maurice Brown, Chris Loftin & Nikki Glaspie opening for Big Sam’s Funky Nation w/ special guest Christian Scott
Aftershow: The Blue Note, NYC:Sam Kininger Band w/ special guests James Hurt, Nigel Hall, Maurice Brown, Ivan Neville, Eric Krasno, Nikki Glaspie
Two horn playing Sam’s (Sam Williams, trombone from Big Sam’s Funky Nation) and Sam Kininger (saxophone, Sam Kininger Band) played in the west village last night… it was Sam Squared. Let me see, I’m going to try to recount as best as I can.
I’m not a big fan of Le Poisson Rouge – drinks are pricey, the ceiling is low, it’s cramped, loud and dark. But Big Sam’s Funky Nation rolled in from New Orleans, and the Royal Family’s Chapter 2 w/ Eric Krasno (guitar; Chris Loftin, bass; Nikki Glaspie, drums; Nigel Hall, keys & vocals) were in town. I could deal with Le Poisson Rouge for this throwdown. The place was vibrating it was so amped, the crowd was ready to get down.
photo by: Allison Murphy
I don’t have a set list so I can’t recount the songs, but what I remember was a bit of Beatles covers sprinkled in with some dirty funk. Loud, deep, in your face beats with Nigel Hall on vocals (see below for a video and a taste of his talent), and Eric Krasno’s lightning fingers on the guitar.
James Hurt (keyboards) takes over from Nigel’s spot on the keys and it seemed like he couldn’t get the equipment to work for a second. The next thing I see on stage is this guy going crazy on the keyboards…
photo by: Allison Murphy
Like, standing/sitting/falling off his chair and still playing the keyboards “crazy”. A few minutes later there is a horn explosion on stage with Big Sam, Maurice Brown and another trumpeter (whom I don’t know his name) and it’s gone insane. Nigel wails in the mic; Chris Loftin, a big guy with a big bass, dances around the stage with a permagrin on his face; Nikki G. on drums keeps the beat fast and loud, prodding the rest of the band to keep up with her.
Yeah. That’s what I’m talking about. This was just the opening band.
photo by: Allison Murphy
Big Sam is great. He’s always a lot of fun, a lot of energy and great sounding, dancing, shaking your hips kind of music. He did the get on the floor real low thing, he got the girls on the stage at the end, there was a Hey Poky Way and Sneakin’ Sally Thru the Alley. There was Mardi Gras beads in the crowd, the NOLA faction of the city well represented. Again, if you like horns, if you like great funk, if you like to dance with your hands in the air and shake your booty to some fun New Orleans jazz, go see Big Sam’s Funky Nation. Seriously, he blows you away.
photo by: Allison Murphy
The buzz was catch the Sam Kininger Band over at the Blue Note Jazz Club a few blocks away. Sam on sax and Nikki G. from Chapter 2 earlier in the night were on the stage, and it wasn’t until I sat down that I realized who I had been hearing from the bar area.
Ivan Neville on keyboards (where did he come from?), Maurice Brown on trumpet, Eric Krasno on guitar, Nigel Hall on vocals, James Hurt again from Chapter 2′s set on keys, and it was way out of control. Nikki G. on those drums commanded the attention again, she was so amazingly good. I, and I know a few others who just were blown away.
photo by: Allison Murphy
There were about 30-40 people there at the most, the place was empty. This jam session that ended at 3:15 am Sunday morning was one of those moments that you felt the special vibe in the room, where friends, artists and fans alike sit in awe. The YouTubes below give a taste of what went down at The Blue Note last night.
photo by: Allison Murphy
(Editor’s Notes: Funky sh*t goes down at The Blue Note at 2:54am….slow rolling funk, bass low, sax and trumpet through the air, reeds squealing in the saxophone. Amongst the funkiest, Ivan Neville on the Baby Grand to join in on the funk. Krasno’s fingers are at lightning speed on the neck of the guitar, playing it for all it’s worth, Nikki going sick on the drums.)
I have no words. The whole evening was like slow foreplay until The Blue Note’s explosion at 3am. I’m still recovering.
“Please note: Tonight’s show at Terminal 5 starts EARLY so please plan accordingly. We don’t want to miss any of your (melting) faces.”
- Royal Family Records website
photo by: Allison "Ruth Rocks" Murphy
Cast of Characters:
Eric Krasno, guitar; Soulive/Lettuce/Chapter 2
Alan Evans, drums; Soulive
Neal Evans, Hammond B3, bass keys, clavinet; Soulive/Lettuce
Nigel Hall, vocals, keys; Soulive/Chapter 2/Nigel Hall Band
Adam Deitch, Drums; Lettuce/Chapter 2
Sam Kininger, saxophone; Lettuce
Rashawn Ross, trumpet; Lettuce
Ryan Zoidis, saxophone; Lettuce
Erick “E.D.”aka “Jesus” Coomes, bass; Lettuce
Adam “Shmeeans” Smirnoff, guitar; Lettuce
photo by: Allison "Ruth Rocks" Murphy
Special Guests:
John Scofield, guitar
Warren Haynes, guitar
Big Sam Williams, trombone, vocals
Talib Kweli, vocals
Maurice Brown, trumpet
Christian Scott, trumpet
photo by: Allison "Ruth Rocks" Murphy
The show started early, in good ‘ole Terminal 5. I was dressed for a ball, and have to note, the “ragers” this night forgot to read the title of the show – it was billed as The Royal Family Ball… why weren’t there more ties and dresses? Anyways, I had a dress on, bling around my neck, my hat and boots were rocking and I was ready to dance proper with the Royal Family.
photo by: Dino Perrucci
This evening extravaganza builded like a crescendo, each band (and there was 3 of them) set the bar to out”rage” the next set. It’s been a while since I’ve seen a show like this. Soulive and their Royal Family friends are all raw power, highly technically sound musicians who are relentless. Relentless in the way that the energy these guys put out is matched by their fans appreciation. They filled the 3,000 capacity Terminal 5. They are recognized by the greats, why else would artists like Scofield, Haynes, Derek Trucks continue to cross their paths? They are on the verge of the next level, you felt it last night. I can’t wait to watch these guys soar to the next stratosphere. We will all be lucky when their music goes mainstream.
photo by: Denise Sullivan
Nigel Hall Band: At 7:45-ish, Nigel Hall took the stage. By the time I get into position I see Nigel Hall, Zoidis, Kininger, Deitch, Brown, Smirnoff, Krasno and the Evan’s brothers (Neal on keys, Alan on guitar) and 2 backup singers (who are they?) on the stage. Nigel’s incredible voice, raging, wailing, screaming into the mic for us to all stand alert and stamp our feet, and nod our heads into the same groove. Yessiree, the funk has landed in midtown NYC.
Lettuce: Full rage, and we haven’t even gotten to the Soulive part of the evening yet. By this point there were 5 horn players (Big Sam, Maurice Brown, Kininger, Zoidis, Ross), John Scofield on guitar, Krasno on guitar, Coomes bringing on the funky bass with his bad self, Talib Kweli comes on and hip hops his way around Nigel Hall blasting back at him, Neal Evans on keys, Alan Evans, percussion. The place goes nuts, the floor full of bouncing heads and dancing ragers.
photo by: Allison "Ruth Rocks" Murphy
I’m on the 3rd floor (thanks Peter!), looking straight down at the stage, the epicenter of where the sound explosion had begun bouncing all around Terminal 5′s rafters. I’m in awe, not boogie-ing yet – still trying to decipher the sounds of what is happening all around me, trying to hone in on each artist’s playing. Krasno so technically perfect it is mouth-gaping, Coomes going so low, keepin it all together, Adam Deitch kickin it on those drums, loud and crashing, the horns blasting this craziness into the stratosphere.
photo by: Allison "Ruth Rocks" Murphy
Talib Kweli brings it down to the ground, funky, loud, head banging raging insanity, trading licks with Nigel…..phewww boy it had gotten hotter from the heat rising from the stage, before Scofield comes on stage, -at first, his guitar sounds like a sax- and he continues blasting us all into a Funky Cold Medina with his trippy, groovy jams. My neck began to hurt from the heavy funky nodding/dance we had all commenced in. The Lettuce was dirty…dirty dirty Lettuce.
photo by: Allison "Ruth Rocks" Murphy
Soulive w/ Special Guests: Rubber Soulive goes down in full effect. A melody of classics from The Beatles, John Scofield and Eric Krasno in a musical tit-for-tat game both going just sick on their instruments of power. My notes are all jumbled. Can’t seem to read my handwriting. I have to somehow write this down from memory (and without any setlists yet – none are released at this time)…
photo by: Allison "Ruth Rocks" Murphy
My eyes settle on Alan, one of my personal top 5 drummers, and he’s frikkin wailing on the drums. His whole body raging into the beat, um, he’s setting the beat, fast and dirty, damn Al!, Neal Evans and his freakishly absurd hands playing keys and the bassline, at the same time! Eleanor Rigby flows into I Want You (She’s So Heavy) and by this time, my mind is floating, I’ve succumbed into the funkiness that is Soulive/The Royal Family, and my head gets light, I close my eyes, I shake my ass, and… that’s it folks.
photo by: Dino Perrucci
I watch Sco leave the stage, and Krasno and Alan bring him back, like “No man, you’re staying for this”, when I hear Krasno introduce Warren Haynes to the stage. Right. Warren. Head was light, now eyeballs are falling out. So, to recap, there is Eric Krasno, John Scofield and Warren Haynes on the stage – three of my personal top 5 guitar players. Holy hell, my head exploded all over the 3rd floor – I know mine wasn’t the only one. Warren with Sco and Kraz on Born Under a Bad Sign. Ridiculous. The night ends with an encore from Nigel and the Royal Family for a killer James Brown Medley. It felt like seven bagillion people were on the stage. Can. Not. Wait. For. More…….
It was a soiree, birthday party style, filled with BBQ chicken, cornbread, rice, mac -n- cheese over at Sully Hall where the Royal Family came, played, we all danced and boogied.
Happy birthday to the birthday girl. Thanks Rob for the good times. Great to see the family, and we’ll be doin it again tonight.
Eric Krasno, Guitar
Chris Loftin, Bass
Nigel Hall, Vocals and Keys
Alan Evans, Drums
Maurice Brown, Trumpet
Mark Williams, Trombone
Ryan Zoidis, Sax
Some snippets of fun for the ride. Thanks guys, needed to dance like that… YouTubes for your enjoyment:
